Miró's oft-quoted fascination in the assassination of painting is derived from a dislike of bourgeois artwork, which he thought was used as a method to promote propaganda and cultural identification amongst the rich. Exclusively, Miró responded to Cubism in this way, which by the point of his quote had develop https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/